All volumes of Musica Britannica are in print and are available from the publisher, Stainer & Bell Ltd, from whom offprints and performing parts may also be purchased.
Click here to see volumes currently in preparation.
Volume 1 | The Mulliner Book | new edn 2011 |
| edited by John Caldwell |
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Volume 2 | Matthew Locke and Christopher Gibbons: Cupid and Death | 1951; r.1965 |
| edited by Edward J. Dent |
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Volume 3 | Thomas Arne: The Masque of Comus | 1951 |
| edited by Julian Herbage |
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Volume 4 | Mediaeval Carols | 1952; r.2018 |
| edited by John Stevens |
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Volume 5 | Thomas Tomkins: Keyboard Music | 1955; r.2010 |
| edited by Stephen Tuttle |
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Volume 6 | John Dowland: Ayres for Four Voices | new edn 2000 |
| edited by David Greer |
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Volume 7 | John Blow: Anthems I: Coronation and Verse Anthems | 1953; r.1969 |
| edited by Anthony Lewis and H. Watkins Shaw |
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Volume 8 | John Dunstable: Complete Works | 1953; r.1970 |
| edited by Manfred Bukofzer |
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Volume 9 | Jacobean Consort Music | 1955; r.1962 |
| edited by William Coates and Thurston Dart |
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Volume 10 | The Eton Choirbook I | 1956; r.1967 |
| edited by Frank Harrison |
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Volume 11 | The Eton Choirbook II | 1958; r.2002 |
| edited by Frank Harrison |
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Volume 12 | The Eton Choirbook III | 1961; r.2010 |
| edited by Frank Harrison |
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Volume 13 | William Boyce: Overtures | 1957 |
| edited by Gerald Finzi |
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Volume 14 | John Bull: Keyboard Music I | 1960; r.4th edn 2023 |
| edited by John Steele and Francis Cameron, revised by Alan Brown |
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Volume 15 | Music of Scotland, 1500–1700 | 1957; r.1975 |
| edited by Kenneth Elliott |
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Volume 16 | Stephen Storace: No Song, No Supper | 1959 |
| edited by Roger Fiske |
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Volume 17 | John Field: Concertos for Piano and Orchestra, nos. 1–3 | 1961 |
| edited by Frank Merrick |
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Volume 18 | Music at the Court of Henry VIII | 1962; r.1969 |
| edited by John Stevens |
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Volume 19 | John Bull: Keyboard Music II | 1963; r.2016 |
| edited by Thurston Dart, revised by Alan Brown |
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Volume 20 | Orlando Gibbons: Keyboard Music | 1962; r.2010 |
| edited by Gerald Hendrie |
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Volume 21 | William Lawes: Consort Music | 1963; r.1971 |
| edited by Murray Lefkowitz |
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Volume 22 | Consort Songs | 1967; r.1974 |
| edited by Philip Brett |
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Volume 23 | Thomas Weelkes: Collected Anthems | 1966; r.1975 |
| edited by David Brown, Walter Collins, and Peter Le Huray |
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Volume 24 | Giles Farnaby: Keyboard Music | 1965; r.1974 |
| edited by Richard Marlow |
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Volume 25 | Richard Dering: Secular Vocal Music | 1969 |
| edited by Peter Platt |
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Volume 26 | John Jenkins: Consort Music in Four Parts | 1969; r.1975 |
| edited by Andrew Ashbee |
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Volume 27 | William Byrd: Keyboard Music I | 1969; r.2013 |
| edited by Alan Brown |
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Volume 28 | William Byrd: Keyboard Music II | 1971; r.2004 |
| edited by Alan Brown |
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Volume 29 | Peter Philips: Select Italian Madrigals | 1970 |
| edited by John Steele |
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Volume 30 | Thomas Linley junior: A Shakespeare Ode | 1970 |
| edited by Gwilym Beechey |
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Volume 31 | Matthew Locke: Chamber Music I | 1971 |
| edited by Michael Tilmouth |
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Volume 32 | Matthew Locke: Chamber Music II | 1972 |
| edited by Michael Tilmouth |
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Volume 33 | English Songs, 1625–1660 | 1971; r.1977 |
| edited by Ian Spink |
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Volume 34 | Pelham Humfrey: Complete Church Music I | 1972 |
| edited by Peter Dennison |
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Volume 35 | Pelham Humfrey: Complete Church Music II | 1972; r.1985 |
| edited by Peter Dennison |
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Volume 36 | Early Tudor Songs and Carols | 1975 |
| edited by John Stevens |
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Volume 37 | Sterndale Bennett: Selected Piano and Chamber Music | 1972 |
| edited by Geoffrey Bush |
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Volume 38 | Matthew Locke: Anthems and Motets | 1976 |
| edited by Peter Le Huray |
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Volume 39 | John Jenkins: Consort Music of Six Parts | 1977 |
| edited by Donald Peart |
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Volume 40 | Music for Mixed Consort | 1977 |
| edited by Warwick Edwards |
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Volume 41 | Samuel Wesley: Confitebor tibi, Domine | 1978 |
| edited by John Marsh |
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Volume 42 | Thomas Arne: The Judgment of Paris | 1978 |
| edited by Ian Spink |
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Volume 43 | English Songs, 1800–1860 | 1979 |
| edited by Geoffrey Bush and Nicholas Temperley |
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Volume 44 | Elizabethan Consort Music I | 1979 |
| edited by Paul Doe |
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Volume 45 | Elizabethan Consort Music II | 1988 |
| edited by Paul Doe |
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Volume 46 | John Coprario: Fantasia-Suites | 1980 |
| edited by Richard Charteris |
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Volume 47 | Thomas Arne: Alfred | 1981 |
| edited by Alexander Scott |
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Volume 48 | Orlando Gibbons: Consort Music | 1982 |
| edited by John Harper |
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Volume 49 | Hubert Parry: Songs | 1982 |
| edited by Geoffrey Bush |
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Volume 50 | John Blow: Anthems II: Anthems with Orchestra | 1984 |
| edited by Bruce Wood |
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Volume 51 | Matthew Locke: Dramatic Music | 1986 |
| edited by Michael Tilmouth |
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Volume 52 | Charles Villiers Stanford: Songs | 1986 |
| edited by Geoffrey Bush |
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Volume 53 | Collected English Lutenist Partsongs I | 1987 |
| edited by David Greer |
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Volume 54 | Collected English Lutenist Partsongs II | 1989 |
| edited by David Greer |
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Volume 55 | Elizabethan Keyboard Music | 1989 |
| edited by Alan Brown |
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Volume 56 | Songs, 1860–1900 | 1989 |
| edited by Geoffrey Bush |
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Volume 57 | Samuel Sebastian Wesley: Anthems I | 1990 |
| edited by Peter Horton |
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Volume 58 | Maurice Greene: Ode on St Cecilia's Day and Anthem: Hearken unto me | 1991 |
| edited by H. Diack Johnstone |
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Volume 59 | Thomas Tomkins: Consort Music | 1991 |
| edited by John Irving |
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Volume 60 | William Lawes: Fantasia-Suites | 1991 |
| edited by David Pinto |
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Volume 61 | Peter Philips: Cantiones Sacrae Octonis Vocibus | 1992 |
| edited by John Steele |
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Volume 62 | Alfonso Ferrabosco the younger: Four-Part Fantasias for Viols | 1992 |
| edited by Andrew Ashbee and Bruce Bellingham |
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Volume 63 | Samuel Sebastian Wesley: Anthems II | 1993 |
| edited by Peter Horton |
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Volume 64 | John Blow: Anthems III: Anthems with Strings | 1993 |
| edited by Bruce Wood |
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Volume 65 | Richard Mico: Consort Music | 1994 |
| edited by Andrew Hanley |
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Volume 66 | Tudor Keyboard Music, c.1520–1580 | 1995 |
| edited by John Caldwell |
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Volume 67 | John Ward: Consort Music of Five and Six Parts | 1995 |
| edited by Ian Payne |
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Volume 68 | William Boyce: Solomon: A Serenata | 1996 |
| edited by Ian Bartlett |
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Volume 69 | John Blow: Complete Organ Music | 1996 |
| edited by Barry Cooper |
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Volume 70 | John Jenkins: Consort Music of Three Parts | 1997 |
| edited by Andrew Ashbee |
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Volume 71 | John Field: Nocturnes and Related Pieces | 1997 |
| edited by Robin Langley |
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Volume 72 | William Shield: Rosina | 1998 |
| edited by John Drummond |
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Volume 73 | John Blow: Complete Harpsichord Music | 1998 |
| edited by Robert Klakowich |
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Volume 74 | Thomas Watson: Italian Madrigals Englished | 1999 |
| edited by Albert Chatterley |
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Volume 75 | Peter Philips: Complete Keyboard Music | 1999 |
| edited by David J. Smith |
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Volume 76 | John Eccles: Semele | 2000 |
| edited by Richard Platt |
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Volume 77 | Cipriani Potter: Symphony in G minor | 2001 |
| edited by Julian Rushton |
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Volume 78 | John Jenkins: Fantasia-Suites I | 2001 |
| edited by Andrew Ashbee |
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Volume 79 | John Blow: Anthems IV: Anthems with Instruments | 2002 |
| edited by Bruce Wood |
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Volume 80 | Hubert Parry: Sonatas for Violin and Pianoforte | 2003 |
| edited by Jeremy Dibble |
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Volume 81 | Alfonso Ferrabosco the younger: Consort Music of Five and Six Parts | 2004 |
| edited by Christopher Field and David Pinto |
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Volume 82 | Maurice Greene: Phoebe | 2004 |
| edited by H. Diack Johnstone |
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Volume 83 | John Ward: Consort Music of Four Parts | 2005 |
| edited by Ian Payne |
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Volume 84 | Thomas Roseingrave: Complete Keyboard Music | 2006 |
| edited by H. Diack Johnstone and Richard Platt |
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Volume 85 | Eighteenth-Century Psalmody | 2007 |
| edited by Nicholas Temperley and Sally Drage |
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Volume 86 | Stephen Storace: Gli equivoci | 2007 |
| edited by Richard Platt |
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Volume 87 | Richard Dering: Motets for One, Two or Three Voices and Basso Continuo | 2008 |
| edited by Jonathan P. Wainwright |
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Volume 88 | William Croft: Complete Chamber Music | 2009 |
| edited by H. Diack Johnstone |
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Volume 89 | Samuel Sebastian Wesley: Anthems III | 2009 |
| edited by Peter Horton |
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Volume 90 | John Jenkins: Fantasia-Suites II | 2010 |
| edited by Andrew Ashbee |
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Volume 91 | William Croft: Canticles and Anthems with Orchestra | 2011 |
| edited by Donald Burrows |
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Volume 92 | George Butterworth: Orchestral Works | 2012 |
| edited by Peter Ward Jones |
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Volume 93 | Thomas Ravenscroft: Rounds, Canons and Songs from Printed Sources | 2012 |
| edited by John Morehen and David Mateer |
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Volume 94 | English Keyboard Concertos, 1740–1815 | 2013 |
| edited by Peter Lynan |
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Volume 95 | Songs in British Sources, c.1150–1300 | 2013 |
| edited by Helen Deeming |
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Volume 96 | English Keyboard Music, c.1600–1625 | 2014 |
| edited by Alan Brown |
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Volume 97 | Secular Polyphony, 1380–1480 | 2014 |
| edited by David Fallows |
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Volume 98 | Richard Dering: Motets and Anthems | 2015 |
| edited by Jonathan P. Wainwright |
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Volume 99 | Savoy Curtain-Raisers | 2015 |
| edited by Christopher O'Brien |
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Volume 100 | Thomas Arne: Judith | 2016 |
| edited by Simon McVeigh and Peter Lynan |
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Volume 101 | Peter Philips and Richard Dering: Consort Music | 2016 |
| edited by David Smith |
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Volume 102 | Keyboard Music from Fitzwilliam Manuscripts | 2017 |
| edited by Christopher Hogwood and Alan Brown |
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Volume 103 | Restoration Music for Three Violins, Bass Viol and Continuo | 2018 |
| edited by Peter Holman and John Cunningham |
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Volume 104 | John Jenkins: Fantasia-Suites III | 2019 |
| edited by Andrew Ashbee |
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Volume 105 | George Jeffreys: English Sacred Music | 2021 |
| edited by Jonathan P. Wainwright |
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Volume 106 | Maurice Greene: Complete Harpsichord Music | 2022 |
| edited by H. Diack Johnstone |
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Volume 107 | Benjamin Cosyn: Complete Keyboard Music | 2022 |
| edited by Orhan Memed |
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Volume 108 | William Croft: Three Odes with Orchestra | 2023 |
| edited by Alan Howard |
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| George Jeffreys: Latin Sacred Music I | |
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| Theatre Airs, 1660–1710 | |
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| Matthew Locke: Consort Music | |
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| Seventeenth-century Divisions for Violin or Bass Viol | |
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| Elizabethan and Jacobean Music for Solo Lute | |
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| Sterndale Bennett: Piano Concertos | |
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| English Solo Cantatas, 1700–1785 | |
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| Maurice Greene: Two Orchestral Te Deum Settings (1745 & 1750) | |
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